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Techniques to make rich tones [Advanced]
Chapter 3: Adding Various Effects - Delay, Detune, Chorus, etc.
Layer technique is not limited to the development of sound variations and tonal adjustment. Sounds will be much deeper or broader by programming sound sources in certain ways of layering.

    Producing Gloss by Detuning Layered Sounds
    When two or more parts containing timbres with slightly different pitches are laid over each other, interaction occurs to produce more glossy and richer sounds. The effect can be observed most apparently when a detuned part is layered over the base. Listen to the electric piano in MA Sound Demo031 to learn how the detuned part added in the second half creates the glazed sounds.

    The pitch of the detuned part must be deviated in order to achieve this effect. This can be accomplished by entering the pitch-bend data in the first bar of the track containing the detuned part, or in the first bar of the detuned part, and change the pitch slightly.

    Achieving the Chorus Effect by Adding Vibrato to Layered Sounds
    Adding cyclic swings to your music can also create interaction, where sounds can be transformed. Being a little different from detuning, a cyclic swing, known as "vibrato", produces the "chorus effect" when it is added on layered sound. The chorus effect provides music with swing and gloss. Vibrato is well matched with pads as observed in MA Sound Demo032.

    To obtain the "chorus" effect, input the Control Change No. 1 Modulation instead of pitch-bend data. This will constantly add the vibrato effect. But the timbre data must be set so that modulation can control the depth of vibrato effect. Using the control change is a more effective way than using the pitch bend because of its smaller data size, especially in the circumstance where data size is limited.

    Producing Echo by Delaying the Timing a Layered Sound
    Echo is a well-known effect to add depth on the sound. In fact, echo is reverberation that comes after the original sound. Producing two parts with the same phrase and playing one of them slightly after the other can emulate the echo effect. This technique is the most effective to the melody part.

    The latter half of the melody part in MA Sound Demo033 was tuned with echo effect. Detuning and vibrato effects are also added since they work so nicely with echo effect.

    Creating Pseudo Stereo Sounds by Panning Echo and Chorus Parts to the Left and Right Channels
    Most mobile phones have a monaural speaker, however, SMAF sound source consists of stereo source. Normally, panning various parts to right and left to produce stereo sound. Even monaural speaker can create pseudo stereophonic sound when the echo and vibrato effect that introduced above are added.

    Pseudo stereophonic sounds can be produced easily by panning an original part and the other sound to right and left. The sounds spread to left and right when there is a detuning/chorus effect. The sounds move from left to right in when there is an echo effect.

    In MA Sound Demo034, pseudo stereo effect is added to the backing parts and the echo effect is added to the melody parts to create the impression of stereo and movement.


All of the techniques introduced above require two or more parts to be laid over each other for one part. They will consume more number of note-polyphony. Therefore, it may be required to focus on the appropriate parts that are more effective and/or remove some parts at times.

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Sample Files
-MA Sound Demos that utilize vibrato, and echo techniques
All Demo songs introduced below are played back by MA-3. The FM tone generator produced all sounds contained in these samples except the sounds of drums.
All downloads are in .zip format.
SMAF (.mmf) File
MP3 (.mp3) File
MA Sound Demo031
Detuned electric-piano part is added in the second half. Detuning makes electric piano sound crystalline and glossy.
MA Sound Demo032
A modulated part (vibrato part) is laid over the pad part in the second half of this sample. Sounds become thicker and it looks like rolling.
MA Sound Demo033
The echo effect is added in the second half of the sample. Sounds become richer and deeper by detuning the echo part and adding vibrato.
MA Sound Demo034
Detuned, vibrato, and echo parts are panned to the left and right channels in order to produce pseudo stereo sounds. Sounds of the electric piano, a pad, and the instrument playing the melody line spread out.
MA Sound Demo035
All of the techniques introduced in this Chapter are used in this sample and balance is adjusted. Harmony parts are thinned to reduce the number of notes. The PCM sounds (brass and strings) are played as melodic backgrounds.


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